Jump to Content
Jump to Main Navigation
Sign In
Create Account
My Library
HOME
BROWSE
JOURNALS
SUBJECTS
COVID-19
About Subject Collections
Advances in Research
Anthropology
Cultural Studies
Education
Europe
History
Politics
RESOURCES
For Librarians
For Authors
Submissions
Open Access
Rights & Permissions
Frequently Asked Questions
COVID-19 Update
OPEN ANTHRO
Berghahn Open Anthro
General FAQ
Library FAQ
Author FAQ
BOA-S2O Participants
Press Releases
History of BOA-S2O
Open Access License Options
ABOUT
About Us
Contact Us
Social Media
Online Platform
Blogs
Advanced Search
Help
Sign In
Create Account
My Library
HOME
BROWSE
JOURNALS
SUBJECTS
COVID-19
About Subject Collections
Advances in Research
Anthropology
Cultural Studies
Education
Europe
History
Politics
RESOURCES
For Librarians
For Authors
Submissions
Open Access
Rights & Permissions
Frequently Asked Questions
COVID-19 Update
OPEN ANTHRO
Berghahn Open Anthro
General FAQ
Library FAQ
Author FAQ
BOA-S2O Participants
Press Releases
History of BOA-S2O
Open Access License Options
ABOUT
About Us
Contact Us
Social Media
Online Platform
Blogs
Search
Advanced Search
Help
Volume 5 (2011): Issue 2 (Dec 2011)
in
Projections
Table of Contents
From the Editor
Summing Up
Articles
Monkeys at the Movies: What Evolutionary Cinematics Tells Us about Film
Folk Psychology for Film Critics and Scholars
In Front of the Camera, Behind the Camera: Ullmann Directs Bergman
The Body of the Machine: Computer Interfaces in American Popular Cinema since 1982
The Pure Moment of Murder: The Symbolic Function of Bodily Interactions in Horror Films
Book Reviews
Hollywood Incoherent: Narration in Seventies Cinema
Evolution, Literature and Film: A Reader
Ostrannenie. On “Strangeness“ and the Moving Image: The History, Reception, and Relevance of a Concept
Save
Collapse
Expand
Top
Projections
The Journal for Movies and Mind
Search
Issue
Journal
[18.210.12.229]
18.210.12.229