Show Summary Details
Full access

Editing, Digital Image Design, World-Building

Stephen Prince

Abstract

When Sam Peckinpah turned over his raw footage for Ride the High Country

(1962) to the MGM studio editor, she declared that the material he had filmed

for the final gunfight was incompetent and that it could not be edited together

in a coherent way. Viewed today, the scene does not seem especially

transgressive in its treatment of continuity, but in that earlier period when

studio editing rules were more conservative, Peckinpah’s disregard for standardized

camera set-ups and conventional coverage perplexed and infuriated

MGM’s editor.

Affiliations