Editor: Ted Nannicelli, University of Queensland
Volume 12 / 2018, 2 issues per volume (summer, winter)
Subjects: Film Studies
Published in association with The Society for Cognitive Studies of the Moving Image
Winner of the 2008 AAP/PSP Prose Award for Best New Journal in the Social Sciences & Humanities!
Volume 12, Issue 2 (Winter 2018)
From the Editor
Symposium on Murray Smith’s Film, Art, and the Third Culture
Film, Art, and the Third Culture: A Naturalized Aesthetics of Film—Précis
A Moderately Pessimistic Perspective on “Cooperative Naturalism”
Naturalized Aesthetics and Criticism: On Value Judgments
Laura T. Di Summa-Knoop
Embodied Seeing-In, Empathy, and Expansionism
Collaboration in the Third Culture
Naturalizing Aesthetic Experience: The Role of (Liberated) Embodied Simulation
FACT Is a Fact of Both Life and Art
Questions about Aesthetic Experience
Naturalized Aesthetics and Emotion Theory
“Mind the Gap”: Between Movies and Mind, Affective Neuroscience, and the Philosophy of Film
The Role of Scientific Research in Film Theory
Putting the Culture into Bioculturalism: A Naturalized Aesthetics and the Challenge of Modernism
Film, Art, and the Third Culture—A Response
Ivan Mozzhukhin’s Acting Style: Beyond the Kuleshov Effect
A Pragmatic Framework for the Cognitive Study of Documentary
Catalin Brylla and Mette Kramer
WINNER OF THE 2008 AAP/PSP PROSE AWARD FOR BEST NEW JOURNAL IN THE SOCIAL SCIENCES & HUMANITIES!
Aims & Scope
Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
Submissions are welcomed from a variety of scholarly methods within the humanities and the sciences, from aesthetic to empirical, theoretical, and historical approaches. We especially welcome interdisciplinary approaches that bridge the traditional humanities/sciences division. Accordingly, we invite and consider several forms of submission. Please read the submission guidelines carefully to ensure that your submission aligns with the particular requirements for each format.
Projections is indexed/abstracted in:
- Art Abstracts (Ebsco)
- Art Index (Ebsco)
- Bibliometric Research Indicator List (BFI)
- British Humanities Index (Proquest)
- Emerging Sources Citation Index (Web of Science)
- European Reference Index for the Humanities and the Social Sciences (ERIH PLUS)
- FIAF International Index to Film Periodicals (Proquest)
- IBR – International Bibliography of Book Reviews of Scholarly Literature on the Humanities and Social Sciences (De Gruyter)
- IBZ – International Bibliography of Periodical Literature (De Gruyter)
- MLA Directory of Periodicals
- MLA International Bibliography
- Norwegian Register for Scientific Journals, Series and Publishers
- Scopus (Elsevier)
Editor: Ted Nannicelli, Film and Television Studies, University of Queensland
Tim Smith, Cognitive Psychology, Birkbeck College, University of London
Aaron Taylor, New Media, University of Lethbridge
Fredrick Luis Aldama, English, The Ohio State University
Richard Allen, Creative Media, City University of Hong Kong
Andreas Bartels, Max Planck Institute for Biological Cybernetics
Anne Bartsch, Communications and Media Studies, University of Leipzig
Todd Berliner, Film Studies, University of North Carolina at Wilmington
David Bordwell, Communication Arts (Emeritus), University of Wisconsin–Madison
Noel Carroll, Philosophy, The Graduate Center, City University of New York
Yadin Dudai, Neurobiology, Weizmann Institute of Science
Cynthia Freeland, Philosophy, University of Houston
Torben Grodal, Film and Media Studies (Emeritus), University of Copenhagen
Tom Gunning, Cinema and Media Studies, University of Chicago
Uri Hasson, Psychology, Princeton University
Patrick Colm Hogan, English, University of Connecticut
Daniel Levin, Psychology and Human Development, Vanderbilt University
Paisley Livingston, Philosophy (Emeritus), Lingnan University
Carl Plantinga, Communication Arts and Sciences, Calvin College
Stephen Prince, Theatre and Cinema, Virginia Tech
Nick Redfern, Media, Film, and Culture, Leeds Trinity University
Arthur Shimamura, Psychology (Emeritus), University of California, Berkeley
Robert Sinnerbrink, Philosophy, Macquarie University
Greg Smith, Communication, Georgia State University
Murray Smith, Film Studies, University of Kent
Vivian Sobchack, Film, Television, and Digital Media (Emerita), University of California, Los Angeles
Jane Stadler, Media and Communication, Swinburne University of Technology
Katherine Thomson-Jones,Philosophy, Oberlin College
Malcolm Turvey, Film and Media Studies, Tufts University
Margrethe Bruun Vaage, Film Studies, University of Kent
Jeffrey Zacks, Psychological and Brain Sciences, Washington University in St. Louis
Lisa Zunshine, English, University of Kentucky
Founding Editor: Ira Konigsberg, Film (Emeritus), University of Michigan
Please review the submission and style guidelines carefully before submitting.
The editorial board welcomes contributions. Authors should submit articles as attachments by e-mail, formatted as Microsoft Word or Rich Text Format (RTF) files. Electronic submissions are preferred, but mailed contributions will be reviewed. Please note that all correspondence will be transmitted via e-mail. Submissions without complete and properly formatted reference lists may be rejected. Manuscripts accepted for publication that do not conform to the Projections style will be returned to the author for amendment.
E-mail submissions to Ted Nannicelli at firstname.lastname@example.org.
Have other questions? Please refer to the various Berghahn Info for Authors for general information and guidelines including topics such as article usage and permissions for Berghahn journal article authors.
Authors published in Projections certify that their works are original and their own. The editors certify that all materials, with the possible exception of editorial introductions, book reviews, and some types of commentary, have been subjected to double-blind peer review by qualified scholars in the field. While the publishers and the editorial board make every effort to see that no inaccurate or misleading data, opinions or statements appear in this journal, they wish to make clear that the data and opinions appearing in the articles herein are the sole responsibility of the contributor concerned. For a more detailed explanation concerning these qualifications and responsibilities, please see the complete Projections ethics statement.
The Society for Cognitive Studies of the Moving Image (SCSMI)
SCSMI—Leading the study of how moving-image media shape and are shaped by human psychological activity
The Society for Cognitive Studies of the Moving Image (SCSMI) is an interdisciplinary organization of scholars interested in cognitive, philosophical, aesthetic, neurophysiological, and evolutionary-psychological approaches to the analysis of film and other moving-image media.
Membership in SCSMI, including a print subscription and online access to Projections, is now directly handled by the association. Please visit the SCSMI website to join as a new member, to renew your membership, or to register for SCSMI annual meetings.
SCSMI members: For online access to Projections, please visit the SCSMI website and log in.
Members of SCSMI seek to understand, among other things, the ways these media arouse our senses, stir our emotions, and prod us to thought. They explore how conceptions of social organization and human nature find their way into films, television, video games, and online videos. Their research seeks to explain the power of movies over audiences, what popular films tell us about the ways our minds work, and how documentaries and avant-garde films engage us. How may media products bear the traces of social intelligence and evolved capacities? What philosophical issues are at stake in examining media from a psychological perspective? These are just some of the questions SCSMI members pursue in their own research, at SCSMI conferences, and in the pages of Projections. The gatherings are lively; the research articles are deeply informed and consistently provocative.
We invite all people interested in understanding media from a broadly cognitive perspective to join us in exploring the range and depth of the moving image.
Regular annual membership fees are $80, with a student rate of $40.
Membership benefits of the Society for Cognitive Studies of the Moving Image include:
- Print subscription* with online access to Projections: The Journal for Movies and Mind (winner of the 2008 Prose award for Best New Journal in the Humanities and Social Sciences). Once you've renewed your SCSMI membership, issues will be mailed to you as they release; for full online access to current and back issues, activate your access any time after you have renewed by visiting the SCSMI website and logging in.
- The opportunity to submit proposals to annual SCSMI conferences, which alternate between North American and European locations. All presenters at the annual meetings must be members of SCSMI;
- Reduced registration to the annual SCSMI conference;
- Regular e-mail newsletter with notices and information about professional issues of interest to scholars and students of film and media.
*Please note that as of 2012, SCSMI membership enrollment will be on anytime/rolling start basis with members receiving a print copy of the next available issue of Projections. Online access will include all previous issues in their electronic format for the duration of an active membership.