Editor: Stephen Prince, Theatre and Cinema, Virginia Tech
Volume 12 / 2018, 2 issues per volume (summer, winter)
Subjects: Film Studies
Published in association with The Society for Cognitive Studies of the Moving Image
Winner of the 2008 AAP/PSP Prose Award for Best New Journal in the Social Sciences & Humanities!
The most recent issue of Projections has recently been published. You can find ithere
Visit the new Projections website here!
WINNER OF THE 2008 AAP/PSP PROSE AWARD FOR BEST NEW JOURNAL IN THE SOCIAL SCIENCES & HUMANITIES!
Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by psychology, psychoanalysis, and the cognitive and neurosciences. Submissions are welcomed from a variety of scholarly methods within the humanities and the sciences, from aesthetic to empirical, theoretical, and historical approaches. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
Projections is indexed/abstracted in:
- Art Abstracts (Ebsco)
- Art Index (Ebsco)
- British Humanities Index (Proquest)
- Emerging Sources Citation Index (Web of Science)
- European Reference Index for the Humanities and the Social Sciences (ERIH PLUS)
- FIAF International Index to Film Periodicals (Proquest)
- IBR – International Bibliography of Book Reviews of Scholarly Literature on the Humanities and Social Sciences (De Gruyter)
- IBZ – International Bibliography of Periodical Literature (De Gruyter)
- MLA Directory of Periodicals
- MLA International Bibliography
- Scopus (Elsevier)
Editor: Stephen Prince, Theatre and Cinema, Virginia Tech
Todd Berliner, Film Studies, University of North Carolina Wilmington
Ted Nannicelli, Film and Television Studies, University of Queensland
Richard Allen, Cinema Studies, New York University
Andreas Bartels, Max Planck Institute for Biological Cybernetics, Germany
David Bordwell, Emeritus Communication Arts, University of Wisconsin
Yadin Dudai, Weitzmann Institute, Israel
Cynthia Freeland, Dept. of Philosophy, University of Houston
Krin Gabbard, Comparative Literature, State University of New York at Stony Brook
Torben Grodal, Dept. of Film and Media Studies, University of Copenhagen
Tom Gunning, Dept. of Art History, University of Chicago
Adrienne Harris, Postdoctoral Program in Psychoanalysis and Psychotherapy, New York University
Uri Hasson, Psychology Department, Princeton University
Patrick Colm Hogan, Dept. of English, University of Connecticut
Norman Holland, Dept. of English, University of Florida
Bonnie S. Kaufman, College of Physicians and Surgeons, Columbia University
Vicky Lebeau, Dept. of English, University of Sussex, England
Daniel T. Levin, Dept. of Psychology and Human Development, Vanderbilt University
Leon Levin, University of Maryland School of Medicine
Paisley Livingston, Philosophy, Lingan University, Hong Kong
Gilbert J. Rose, Program in Psychoanalysis and the Humanities, Yale University
Andrea Sabbadini, Institute of Psychoanalysis, London
Steven Shaviro, Dept. of English, Wayne State
Bruce Sklarew, Forum for Movies and Mind
Greg Smith, Dept. of Communication, Georgia State University
Murray Smith, Film Studies, University of Kent, England
Vivian Sobchack, School of Theater, Film, and Television, UCLA
Jeffrey M. Zacks, Dept. of Psychology, Washington University in St. Louis
Founding Editor: Ira Konigsberg, Professor Emeritus of Film, University of Michigan
Please review the submission and style guidelines carefully before submitting.
The editorial board welcomes contributions. Authors should submit articles as attachments by e-mail, formatted as Microsoft Word or Rich Text Format (RTF) files. Electronic submissions are preferred, but mailed contributions will be reviewed. Please note that all correspondence will be transmitted via e-mail. Submissions without complete and properly formatted reference lists may be rejected. Manuscripts accepted for publication that do not conform to the Projections style will be returned to the author for amendment.
E-mail submissions to Ted Nannicelli at firstname.lastname@example.org.
Have other questions? Please refer to the various Berghahn Info for Authors for general information and guidelines including topics such as article usage and permissions for Berghahn journal article authors.
Authors published in Projections certify that their works are original and their own. The editors certify that all materials, with the possible exception of editorial introductions, book reviews, and some types of commentary, have been subjected to double-blind peer review by qualified scholars in the field. While the publishers and the editorial board make every effort to see that no inaccurate or misleading data, opinions or statements appear in this journal, they wish to make clear that the data and opinions appearing in the articles herein are the sole responsibility of the contributor concerned. For a more detailed explanation concerning these qualifications and responsibilities, please see the complete Projections ethics statement.
The Society for Cognitive Studies of the Moving Image (SCSMI)
SCSMI—Leading the study of how moving-image media shape and are shaped by human psychological activity
The Society for Cognitive Studies of the Moving Image (SCSMI) is an interdisciplinary organization of scholars interested in cognitive, philosophical, aesthetic, neurophysiological, and evolutionary-psychological approaches to the analysis of film and other moving-image media.
Membership in SCSMI, including a print subscription and online access to Projections, is now directly handled by the association. Please visit the SCSMI website to join as a new member, to renew your membership, or to register for SCSMI annual meetings.
SCSMI members: For online access to Projections, please visit the SCSMI website and log in.
Members of SCSMI seek to understand, among other things, the ways these media arouse our senses, stir our emotions, and prod us to thought. They explore how conceptions of social organization and human nature find their way into films, television, video games, and online videos. Their research seeks to explain the power of movies over audiences, what popular films tell us about the ways our minds work, and how documentaries and avant-garde films engage us. How may media products bear the traces of social intelligence and evolved capacities? What philosophical issues are at stake in examining media from a psychological perspective? These are just some of the questions SCSMI members pursue in their own research, at SCSMI conferences, and in the pages of Projections. The gatherings are lively; the research articles are deeply informed and consistently provocative.
We invite all people interested in understanding media from a broadly cognitive perspective to join us in exploring the range and depth of the moving image.
Regular annual membership fees are $80, with a student rate of $40.
Membership benefits of the Society for Cognitive Studies of the Moving Image include:
- Print subscription* with online access to Projections: The Journal for Movies and Mind (winner of the 2008 Prose award for Best New Journal in the Humanities and Social Sciences). Once you've renewed your SCSMI membership, issues will be mailed to you as they release; for full online access to current and back issues, activate your access any time after you have renewed by visiting the SCSMI website and logging in.
- The opportunity to submit proposals to annual SCSMI conferences, which alternate between North American and European locations. All presenters at the annual meetings must be members of SCSMI;
- Reduced registration to the annual SCSMI conference;
- Regular e-mail newsletter with notices and information about professional issues of interest to scholars and students of film and media.
*Please note that as of 2012, SCSMI membership enrollment will be on anytime/rolling start basis with members receiving a print copy of the next available issue of Projections. Online access will include all previous issues in their electronic format for the duration of an active membership.