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With characteristic playfulness, the subject of this volume’s portrait, Gananath Obeyesekere, calls his contribution a celebration of ‘foolishness’. But this is indeed a fertile foolishness. It implies not only an admission that the ethnographer lacks omniscience, but also a positive freedom to engage passionately in comparison, to avoid disciplinary overspecialization, to understand that the “non-rational is not necessarily irrational,” and to acknowledge the power of art and literature as potential inspirations for our work. Of course, as Obeyesekere admits, the ludic and the ironic also entail risks, as they can provoke anger in others. Nonetheless, his words have many echoes in this volume, particularly in their invocation of the power of the aesthetic combined with the ironic, exemplified by reference to the fool in Shakespeare’s Twelfth Night. They also provoke thoughtful reflections from our three commentators on Obeyesekere’s work, Douglas Hollan, Luís Quintais, and Unni Wikan.